Emilia is down to earth to Desdemona's nobility, and practical to Desdemona's romanticism. At a certain level, they always treat each other as respected strangers, and as circumstances drive them apart, only this formal politeness remains as a frame for communication in the final act, where they go in different emotional directions, despite their underlying love for each other.
Having lost a battle, Iago continues to plot to win the war, still using racism as one of his weapons. The Moors were disliked by Europeans on a lot of levels. Othello introduces an upright and righteous Moor. With all this there is no man who can withstand such news like the news that Iago has given to Othello.
Iago seems to have few motives for his devious actions. His devastation is basically precipitated by his ain actions, every bit good as by the actions of the characters environing him. Iago then uses vulgar animal imagery to slur Othello, telling Brabantio that the black Moor has seized his greatest treasure, his daughter, and at that very moment is defiling her.
This doesn't show jealousy, but when he is alone and has time to contemplate the situation and has seen the handkerchief in the hands of Cassio, now is when his blood begins his safer guides to rule.
To refer to Othello as a "black Moor" is not to commit a redundancy, for there are white Moors as well as black Moors, the latter mostly of Sudanese origin. It is one thing to hate another person, but to hate and despise oneself is equivalent to denying one's existence.
He is ambiguously referred to as "he" or "him" by Roderigo and Iago for much of the first scene and when they do begin to specify just who they are talking about, they use racial epithets, not names.
The thing that fuelled his jealousy was his belief that he is black and Desdamona is white. This absorbed prejudice undermines him with thoughts akin to "I am not attractive," "I am not worthy of Desdemona," "It cannot be true that she really loves me," and "If she loves me, then there must be something wrong with her.
There are few things that the human mind cannot stand, and one of them is self-contempt. Othello, in a fundamentally ethnocentric and racist society, finds himself confronted with the horrible reality of this self-contempt when there is cause to believe that Desdemona, whose loved had been the shield against his self-contempt, now betrays him too.
In Act I, Othello has a battle with Brabantio, who has come to kill him, but before anything could go on, Othello said: In Act I, Othello has a scuffle with Brabantio, who has come to kill him, but before anything could happen Othello said, "Hold your hands, both of you of my inclining and the rest.
This man had really fallen in love with someone whose life was boring and needed adventure. Instantly the matter becomes an issue in the Venetian council chamber, where the Duke and other senators are preparing for war against the Turks.
Why did not Othello openly discuss the matter with Desdemona.
Othello has a trusting nature in which he gives it all. Muslims were part of a group that had invaded many lands and threatened Europe with the same. He even said he loved not wisely but too well. What was the Elizabethan attitude to Muslims and blacks.
Iago is saying, he only follows Othello to a point, and upon reaching it he will not follow him any longer. Iago not only told him but he told him in a way that it was hard not to believe. By talking to him, Iago can show the audience his wicked intentions, yet Roderigo is so gullible that he is an easy dupe.
Iago, Roderigo, and Brabantio combine to give us a portrait of Venetian racism. Not merely because he is black, but besides because he as a whole individual is really cryptic. If any man was brought news of this type they would surely go off the deep end. When Brabantio reacts with incredulity, Iago replies with a metaphor that this time compares Othello to a horse: There was also much racial hatred between the white and the black.
But in order to understand the racial issues we should ,at first, consider the Elizabethan attitude to the black people. He didn't tell a couple who have been married for years, and who would know the likes and dislikes of one another, but he told a newly wed couple. It was non really smart of him to believe another adult male about something he should cognize more approximately.
He demonstrates how this miscegenation is threatening to the existing social order. The nature of Othello's character is of a dark man. The word Moor derives from a Latin word, Mauri, used to name the residents of the ancient Roman province of Mauritania in North Africa.
He is really proud and in control of every move throughout the drama. By and by, Brabantio and others appear. Iago and Emilia, although married and appearing to be similar personalities on the surface, see the world differently.
He told the people around him in their letters to write of him not in malice, then he said: Through the whole first act you can picture a man so much power and natural leadership and when he changes you cannot believe it. | The Outsider: Othello | Essay Assignment #2 | | Erin Guyre | Hum OLProfessor James RobbJanuary 16, | | Racism is not a new concept.
Regardless of how far we believe we’ve come from it, it is still something that some people have to deal with today.
Othello - Character Analysis, Free Study Guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information, character profiles, theme analysis, metaphor analysis, and top ten quotes on classic literature.
With this dark side, he is besides really outgoing, and non really brilliantly. He is non observant and the strategies of Iago work good on him. For all the dangers and brushs he has been involved in, Othello is still naif when it comes to the corruptness of other people.
Shakespeare sets his play as a struggle between the liberal, enlightened Europeans and the savage, maurading Turks.
Othello must wage an inner struggle between the two, and overcomes his sinister side, the Aleppine Turk -- but only at the expense of his honor, his family, and his life, the traditional sacrifices of a Shakespearean tragedy.
First he tells of Othellos mis-doings to Brabantio, then he appears at Othellos side claiming Roderigo spoke the crude words. Othello is never referred to by name. The last speech of Iago in Act 1 is a fantastic summary of his character. Macbeth's Sinister Side Essay - Macbeth's Sinister Side When the audience experiences Macbeth by William Shakespeare, it is subjected to a large and heavy dose of evil in the form of intent and actions by the witches, by Lady Macbeth and by Macbeth.Othellos sinister side essay